Just as the name would have you believe, Fantastic Mr. Fox is indeed fantastic (could I have started off anymore cliché?) We don’t get too many stop-motion films anymore, which is a shame, but this one completely makes up for that. The visuals in this film are simply awesome. They’re quirky as hell and different from other stop-motion films, but provide a welcome addition to the movie rather than taking away from it. Definitely retro on purpose without being snobbish…if that makes sense at all. The dialog is very calm without a lot of tonal differentiation and the humor is very dry, but this is what makes the movie so great and also makes a perfect roll for George Clooney. And this film would not have worked at all any other way.
I actually never read the children’s book when I was a child–which now that I think about it, is a little weird–so I can’t really compare to that or speak for how it holds up to my childhood memories of the story, but there’s a lot to like here. Recommended.
When a band says that they’re going to do a tour for an album and play the whole thing, it’s something that can go either way. When the Pixies decided to do this for Doolittle, I was skeptical. Jimmy Eat World did an alright job with Clarity while Alkaline Trio played entirely too long after finishing up with Goddamnit. However, the Pixies did it right. Oh so very right.
The Pixies didn’t walk right out on stage and throw Debaser at us, they started off with an abridged version of the French film Un Chien Andalou–which Frank Black credits as being very influential to him–played on an LED backdrop netting-like screen that was also used all set long to play various videos behind them. They walked out at the end of the video and started with a couple of b-sides before getting into Doolittle, which was accompanied by a couple jokes from Kim between songs. When they were done with Doolittle, they followed up with two encores. The first was a couple more b-sides including a second version of “Wave Of Mutilation” (making for a double dose), but the second treated us to a few non-Doolittle tracks including “Where Is My Mind?” and “Gigantic.” It was everything I could have asked for.
Even though the band took an obnoxiously long time to come out for the second encore, they kept the set to a very reasonable length. The point of the tour was Doolittle and they kept it that way. That is something I can respect. They also chose to give us a much heavier dose of Joey’s guitar to strip some of the polish away from the songs. The end result was loud, raw, and awesome.
The setlist and a few pictures that I snapped from my phone are below and you can also check out reviews from BrooklynVegan and Deaf Left Ear.
Main set
Dancing The Manta Ray
Weird At My School
Bailey’s Walk
Manta Ray
Debaser
Tame
Wave of Mutilation
I Bleed
Here Comes Your Man
Dead
Monkey Gone to Heaven
Mr. Grieves
Crackity Jones
La La Love You
No. 13 Baby
There Goes My Gun
Hey
Silver
Gouge Away
Encore 1
Wave of Mutilation (UK Surf)
Into the White
Encore 2
Isla De Encanta
some of Vamos
Nimrod’s Son
Where is My Mind?
Gigantic
Yet again, a CGI movie has proven just how much of a little kid I am. It doesn’t quite touch anything by Pixar or Dreamworks, but Planet 51 is still awesome. While there is plenty of adult humor to go around, Planet 51 is definitely geared more to kid audiences than to the entire general public like Pixar and Dreamworks tend to be.
The movie was fun and witty enough with a ton of pop culture references for all ages, but my favorite part of Planet 51 is the concept of a human being the scary alien on another planet. It’s a fun idea and a neat twist on a classic idea…even if it is executed in the most cliché and expected of ways. Almost like E.T. in reverse. As for the animation itself, it was good, but not great. I loved the visual design, but Ilion Animation Studios is light years away from what Pixar achieves in the level of detail. I’m not the kind of person that needs all the snazzy effects and whatnot, but that’s kind of the added bonus you get from Pixar and Dreamworks.
As much fun as I had with this movie, I wouldn’t say that it’s a must see, but if you’re looking for something to see, check it out and don’t worry about the crappy rating.
I felt a little off my game for last night’s radio show, but I think it came together alright even though there were a couple wrong button presses. I got to play The Lawrence Arms again and I was able to play a song by The Drums for my co-worker who as been talking about them nonstop for the past couple of weeks. I want to find some time to spend with the Castanets and Kitty, Daisy, And Lewis records though. The songs that I played were awesome, but I haven’t had time to listen to the rest yet.
Mission Of Burma
Blunder
The Sound The Speed The Light
Pastels/Tenniscoats
Hikoki
Two Sunsets
Tim Williams
Stilts
Careful Love
Grates, The
The Biggest And Longest Adventure Ever
Teeth Lost, Hearts Won
World’s Greatest Ghosts
The Royal Court
No Magic
Drums, The
Submarine
Summertime! [EP]
Temper Trap, The
Sweet Disposition
Conditions
Happy Hollows, The
Silver
Spells
Kitty, Daisy, And Lewis
Polly Put The Kettle On
Kitty, Daisy, And Lewis
Frank Turner
Poetry Of The Deed
Poetry Of The Deed
Castanets
No Trouble
Texas Rose, Thaw And The Beasts
Hidden Cameras, The
Kingdom Come
Origin: Orphan
Mason Jennings
Tourist
Blood Of Man
Coconut Records
Bored To Death
Bored To Death [Single]
Lucky Pineapple
Moonlight Spiderbite
The Bubble Has Burst In Sky City
The Lawrence Arms
The Slowest Drink In The Saddest Bar On The Snowiest Day In The Greatest City
I actually got this shirt a couple weeks ago from Tee Fury, but I’ve been kind of lazy about posting it. It’s a pretty decent one though. I also have another coming from Woot that may be one of the best zombie shirts ever. It really covers all your bases. I’ll make sure to post that one as soon as I get. But besides these two, I’m really trying to cut back my t-shirt buying. It’s not even totally a money thing as it is that I’m running out of places to store them and I’m on about a two to three month long rotation now.
I know it’s been a little while since my last update, but there hasn’t been too much to write about. I didn’t do my radio show last week and the only movie I’ve watched is How To Lose Friends And Alienate People with Simon Pegg–the only real reason I had interest in it. I have literally nothing to say about it except for how overrated Megan Fox is. The movie wasn’t great and it wasn’t bad. It just was. I also started writing a short entry about a pink urinal that I used last week and how the urinal is one of the manliest objects to exist since by definition is for men only and woman physically can’t use it properly. But then I got lazy and didn’t really finish it.
Oh well, I’m doing my show tonight, so I’ll post the playlist tomorrow and, this weekend, I’m going to try to see Men Who Stare At Goats, Planet 51, or Pirate Radio. I’ll post about whatever I get to see.
I was going to hold off on seeing Paranormal Activity until it came out on DVD, but I’ve been reading a few reviews about it saying that the only way to see it is on the big screen and not to even bother when it comes out on DVD. So I decided I’d go check it out. First off, I have to agree with that statement, you need to see this on the big screen. It just won’t be the same at home.
With so many other great documentary style horror movies (The Last Broadcast, Blair Witch Project, Cloverfield, Diary Of The Dead, etc) in the last tenish years, I wasn’t really sure that there was room for another, but there is. Ghost/haunting/whatever movies aren’t usually that interesting to me, but I liked this one a lot. It stayed interesting without getting too ridiculous. My only real complaint with it was the last couple seconds. I think they could have been left out for a better ending.
Overall, last night’s radio show didn’t really come together as well as I would have liked, but, at the least, I was able to play a lot of music that I was really excited to spin. New stuff from The Lawrence Arms–seriously Buttsweat and Tears is such a great 7″–, Cheap Girls, Flight Of The Conchords, Coconut Records, Frank Turner, and They Might Be Giants. Along with Monsters of Folk and some of the other stuff I’ve been playing over the past few weeks, there is a lot going on right now from some more well known, at least in the indie scene, bands. It’d be awesome if every week could be like this.
So musically, I really loved last night’s show and I think I had my mic breaks mostly where I wanted them, but I slipped up a bit on my segues between songs. I guess it happens. Oh well.
Flight Of The Conchords
Carol Brown
I Told You I Was Freaky
Coconut Records
Bored To Death
Bored To Death [Single]
Lucky Pineapple
Moment In An Empty Street
The Bubble Has Burst In Sky City
Sea Wolf
Turn The Dirt Over
White Water, White Bloom
Happy Hollows, The
Father Time
Spells
Cheap Girls
I Had A Motorcycle
My Roaring 20s
Swimmers, The
To The Bells
People Are Soft
Headlights
Telephones
Wildlife
Teenage Cool Kids
Reasons Why
Queer Salutations
The Lawrence Arms
The Slowest Drink At The Saddest Bar On The Snowiest Day In The Greatest City
Here are a few new shirts I’ve picked up in the last couple of weeks. The first one, I got at the Threadless store in Chicago. You can’t really tell much in the picture, but it’s a guy on top of a car surrounded by zombies. I don’t even know how many zombie related shirts I have at this point. And the third one, I got at the Lawrence Arms 10th anniversary show.