Andy Gapin

So after seven years, The Playlist is over. It’s hard to believe that something that’s been a large part of my life for so long is gone, but it’s true. Almost fittingly though, last night’s show was the most fun I ever had doing a radio show. It reminded me of everything I loved about doing college radio, much of which got lost in a cloud of jadedness. Hosting an all new music show was great, but it was often hard to fill the entire show with music I was excited about. There’s only so much great stuff that can come out each week. I’d get to play a few great records and fill in the rest with average records. That was always the biggest struggle, but last night had none of that. Last night’s show was nothing but music I love.

I spent the night before running some really custom queries against our database–you get this luxury when you’re the sucker that wrote the software that the radio station relies on for music databasing and logging. I found the artists that I played the most over the last four and a half years and built a playlist from there. I would have liked to go all the way back to when the show first started, but we were still using paper logs up until the beginning of 2006 and there was no way that I was going to try to hunt those down…assuming they still exist. The playlist I created was over two hours long so I had more than I was able to play, but it was alright, I was able to prune down as I was doing the show. I decided not to order anything, I didn’t want to make a pre-planned show and just sit there on autopilot. Instead, I burned two identical MP3 CDs–works out better than playing everything from a computer–and stuck them in the CD players. I had a list of the tracks and switched between players selecting what felt right at the time and what was going to create a solid flow. It’s the way that I always did my show and I didn’t want to change that. I’ve always been about going with the moment and what songs just feel right together. I feel like I nailed this as well as I ever have last night.

I was lucky to be able to score a second hour for last night. It was the first time in two years that I’ve done a two hour show, but it was great, I was able to fit in 34 songs along with a lot of stories about the last seven years and about the music I was playing. I always tried to talk about what the bands I played meant to me, but it wasn’t easy when much of the music was coming from new artists and not just new albums by artists I already was into. Last night, I was able to tell many stories about the bands and what they meant to me. It was great and it made me remember why joining the radio station was my first priority when I started college nine years ago.

The decision to end the show wasn’t easy, I knew it would come eventually, but I could never bring myself to do it. Once I finally made that decision, it was a tough back and forth between knowing how much I’ll miss it and being relieved that I could end it positively and free up a little bit of much needed time in my personal life. Though, as I progressed through the show, I felt myself becoming sadder and sadder that it was ending. By the end, I was feeling almost like I was going to cry. I knew walking away wasn’t going to easy. So I’m sad that it’s over now, but I do know that it was the right time for me and that the show had an amazing seven year run. I had many dedicated listeners and got to expose them to over 1500 different artists and bands over that time. I don’t know how many different albums I played, but my best estimate puts it well over 2000. To me, that’s pretty impressive. That’s a ton of new music. I can walk away knowing that the show was very successful in doing what I created it to do, push new music.

Over the last week, I’ve learned that beyond doing what I set out to do with The Playlist over the airwaves, I also was able to extend that via my blog for the past few years. I learned that I not only had listeners who looked to the show for new music, but I also had readers that couldn’t listen to the show and instead came here to see what I played and found out about the music that way. So awesome.

So last night’s show was a seriously stacked playlist, there was a ton that I still wanted to play, but I couldn’t get it all in. I dediced to end the show with the band that had the most spins on The Playlist. I was surprised when I found out it was The Loved Ones, but thinking back, I did play Keep Your Heart in its entirety when it came out. I wanted to post a big list of the most played artists, but I didn’t know where to cut it off. I may save that for a future post to milk one last entry about the show here. We’ll see, but if you’re really interested, let me know and I’ll make it happen.

The show wasn’t entirely hiccup free though. Just as I was about to start, the internet in the studio went out and for a while, I had to do the show entirely old school. I had to log on paper and couldn’t look up album info. I guess it was an appropriate reminder during the last show of what it was like when the show first started. It was surprisingly fun. However, this seems as though it may have messed up the beginning of the recording of the show. I haven’t verified this yet, but if it’s true, I will almost definitely cry. It was such a memorable show for me and to not have a recording of it would be seriously upsetting.

I’m staying an active DJ at the station so I don’t plan for this to be the last time I have a radio show playlist to post, but when it comes down to it, only the future knows how much I’ll actually end up subbing shows when needed. So for the very last time ever, here’s the playlist from last night’s The Playlist…

• Cheap Girls – A Lesser Rate – Find Me A Drink Home
• Ted Leo And The Pharmacists – Me And Mia – Shake The Sheets
• Drive-By Truckers – The Day John Henry Died – The Dirty South
• Minus The Bear – Knights – Planet Of Ice
• Spoon – Don’t You Evah – Ga Ga Ga Ga Ga
• Electric Six – Night Vision – Switzerland
• Tilly And The Wall – Bad Education – Bottoms Of Barrels
• Feist – So Sorry – The Reminder
• Frank Turner – Poetry Of The Deed – Poetry Of The Deed
• Conor Oberst And The Mystic Valley Band – Air Mattress – Outer South
• The Thermals – I Don’t Believe You – Personal Life
• Maritime – Parade Of Punk Rock T-Shirts – We, The Vehicles
• The Pipettes – Pull Shapes – We Are The Pipettes
• M. Ward – Never Had Nobody Like You – Hold Time
• The Hold Steady – Chips Ahoy! – Boys And Girls In America
• The Copyrights – Knee Deep – Make Sound
• The Steinways – Arena Rock – Gorilla Marketing
• Against Me! – Thrash Unreal – New Wave
• Murder By Death – Rum Brave – Red Of Tooth And Claw
• Coconut Records – Microphone – Davy
• Neko Case – The Next Time You Say “Forever” – Middle Cyclone
• The Lawrence Arms – The Revisionist – The Greatest Story Ever Told
• Radiohead – 15 Step – In Rainbows
• Okkervil River – Pop Lie – The Stand Ins
• Lucero – I Don’t Wanna Be The One – Rebels, Rogues, And Sworn Brothers
• She And Him – I Was Made For You – Volume One
• Bryan Scary – Macedonia Hotel – The Shredding Tears
• Lemuria – Pants – Get Better
• The Measure [SA] – Portland – One Chapter In The Book (A Collection Of Standard Waits And Measurements)
• The Gaslight Anthem – Orphans – American Slang
• Rilo Kiley – The Moneymaker – Under The Blacklight
• Mclusky – She Will Only Bring You Happiness – The Difference Between You And Me Is That I’m Not On Fire
• NOFX – Seeing Double At The Triple Rock – Never Trust A Hippy
• The Loved Ones – Living Will (Get You Dead) – Keep Your Heart

90.3 The Core

I went to see The Gaslight Anthem, Murder By Death, and The Loved Ones in Philly last night at the Trocadero. It was an all around great show.

The Loved Ones played what was probably the best set I’ve ever seen them play. I can’t really describe why it was so great, but they just felt really on and didn’t talk too much compared to other times that I’ve seen them. Their set list was well chosen and leaning way more to the Keep Your Heart side of things than Build & Burn, which works out great for me since I think Keep Your Heart is a much better record.

Murder By Death was slightly worse than the last time I saw them, but that was also about five years ago. They played well and sounded good, but I think I miss them being a five piece. Having a dedicated keyboardist made them able to keep more of their recorded sound when playing live. Sarah did a great job switching between cello and keyboards, but it wasn’t quite the same. The last time I saw them was before their last two albums came out so they had fewer songs to play. This gave them time to rock out and jam a little more. I’m not into jam bands, but I love when bands that I like just jam out for a little bit during some of the instrumental parts of songs. It adds something extra to the live set that you don’t get from a record. This is something that they seemed to do a lot in the past and it was one of my favorite things about seeing them, but now with all the extra songs that they have, there is a lot less time to do it. Still, they sounded great and picked a good selection of songs to play. I think they covered everything that I wanted to hear.

And then there was Gaslight Anthem. They sounded amazing and were tight as hell with a great stage presence. It may have been the tightest that I’ve ever seen them play out of the six or seven times that I’ve seen them. But the selection of songs that they played was a bit disappointing. The ’59 Sound is a really great record, one of the best to come out in 2008. However, it lost a lot over the last year for me. Most of my interest in it waned. Sink Or Swim has stuck with me though. That’s what I wanted to hear. I didn’t expect a lot, but the entire first half of their set was from The ’59 Sound. By the end, we only got a couple Sink Or Swim songs in total. I guess normally it would be expected to hear only a few songs from a band’s first album…if they have more than two, but with only two of them, it’d be nice it at least a third of the set was from the first album. Oh well. At least everything they played sounded great.

Even accepting the fact that I’ll never get to hear them play much from Sink Or Swim again, I don’t know that I’ll ever want to see them live again. I’m not sure how to describe it, but they felt very rock starry last night. It was a little too much. They stopped feeling like this band from New Brunswick that used to play basement shows and the Court Tavern to small crowds and more like a band that has their eyes set on stages set in front of thousands and thousands of people. It wasn’t to the point where it was terribly upsetting and bothersome and a lot of it was subtle, but it was enough that I feel as though my love for them will start to decline if I keep on seeing them.

Last night was also the first time that I’ve been to the Troc in about seven years. I’ve generally avoided it as I was never a fan of the place and I was reminded 100% of this last night. The sound is terrible. It might be the worst sounding venue I’ve ever been to. Ugh.

Last night was another fantastic show. Almost perfect all around. Great music, great segues, and the phone was ringing off the hook. Not even just the phone, but the instant messages too. So much so that it was almost stressful trying to keep up. I was actually sweating because of it.

I found out last night that our station streams perfectly fine over an iPhone just by going to www.thecore.fm and clicking to listen. I’m assuming this will work on any other smartphone too, I guess I never thought about it before.

Apparently, we’re supposed to get a Nor’easter this weekend so that’s going to put a damper on my Field of Terror plans, but I’m still excited to see Gaslight Anthem, Murder By Death, and The Loved Ones on Sunday in Philly. And it seems that there are still tickets for the Monday night show as well. You may want to check that out. Either way, expect a full report next week.

Anyway, here’s what I played…

Source: 90.3 The Core

For the past couple months, there really haven’t been a lot of new albums that have grabbed me. It’s true that I check out about twenty new records every week, so you’d think that there’d be at least a handful each month that stick with me. That hasn’t really been the case. There have been a ton of decent records that I’m like “hey, this isn’t half bad,” but I find that I’ve just been listening to the same few albums from last year and before over and over. So while there have been a few that I’ve been more into like the new Loved Ones, I’m feeling kind of blah about music right now.

But this new record by Ex-Boyfriends has been stuck in my head all week. The first time that I heard it I wasn’t terribly impressed, but it’s grown on me a lot. I think I spent a lot of time listening to it because they reminded me of something that I couldn’t put my finger on. They remind me a lot of high school, in a good way, but I knew that there was a recent band that they sounded a lot like. After a couple days, I put my finger on New Brunswick’s Scream Hello. Anyway, this record is fun and catchy despite sounding super familiar.

There’s still hope though! I still need to hear the entire new record by the Drive-By Truckers and give the new Magnetic Fields album some more attention. There’s also new stuff coming out by the Gaslight Anthem, Murder By Death, Make Believe, and Joan of Arc–yes, two Kinsella records–soon so that should help.

I really wanted to like the new Chris Walla album, but I just can’t get super into it. I don’t even like Death Cab, but I played “The Score” on my radio show and was really into it, but when I went back to listen to the rest of the album thinking that it might not be boring, I was disappointed to find that it was indeed boring…as is the new Say Hi (formerly Say Hi To Your Mom).

Some other stuff that I still want to spend some time with are the new ones by Willie Nelson, The Shackeltons, Rafter, Bob Mould, Jason Collett, and Fjord Rowboat. So we’ll see!